GUERCINO
Italian Baroque Era Painter, 1591-1666
best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657. Related Paintings of GUERCINO :. | Raising of Lazarus hjf | Doubting Thomas | The Entombment of Christ sdg | Persian Sibyl | The Vistion of St.Francesca Romana | Related Artists: Samuel John PeploeScottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London. a. jernbergAugust Jernberg, född 16 september 1826 i Gävle, död 22 juni 1896 i Dusseldorf, var en svensk konstnär.
Han målade först porträtt och historiska, bibliska motiv, men blev på 1860-talet en genre- och även landskapsmålare. Bland de svenska Dusseldorfmålarna var han den främste koloristen.
Han studerade vid Konstakademien 1843-1846 och reste sedan till Paris, där han studerade under Thomas Couture 1847-1853. 1854 slog han sig ned i Dusseldorf och stannade där till sin död, men företog kortare studieresor. Han blev ledamot av Konstakademin 1865, men tillhörde 1885 opponenterna. Han var dessutom ledamot av Konstakademien i Dusseldorf.
Även hans son Olof Jernberg (1855-1935) var konstnär. Konstantinos Volanakis(Greek, b. Heraklion, Crete, 1837- d. 29 June 1907) was a Greek painter, considered one of the best of the 19th century. Born to a wealthy family, he went to Trieste, Italy, in 1856 where he took up painting. He studied in the Munich Academy. He is one of the foremost representatives of the Munich School, a Greek artistic movement of the 19th century. Michalis Oikonomou, another Greek painter, was one of his pupils.
He died in 1907. His works are today exhibited in major museums in Greece and abroad.
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